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  1. bigdmakintrax

    sp-808

    Yeah disk busy does happen....when i upgraded it 250 zip that went away....that comes from filling up the 100mb disk or not cleaning up the disk....like when you make a beat......and erase it or delete shidd it sort of does like a normal hard disk....it get fragmented....but if you can do save...
  2. bigdmakintrax

    I Moved Outta The Hood!

    Good man I used to know some people in Newark I would visit on a regular and rightfully so there's areas that look like a bomb hit that shidd...no lie but it was nice going there cause I had a pecan rican girl then too and that was the highlight of my visits so I blocked the brix...
  3. bigdmakintrax

    so now everyone's doing a Kanye west????

    Every style that comes out really isn't new....it is a progression or something borrowed that came before that might get exploited....sped up sampling was nothing new.....its just how Kanye used that one aspect that has been used many times before but meshed with hot and complexdrum...
  4. bigdmakintrax

    Dynamic Producer Music Convention July 28-31

    I will be in the house I go every year and Imma bring tha heat with me (LIVE) of course....I missed the last one unfortunately...
  5. bigdmakintrax

    sp-808

    AW yeah the 808 is great man if you are on a budget.....you can load and save samples via disk...the processors and effects are VERy good, I have had flashbacks of getting this piece again too, you can put together very hi quality sounding tracks....there is one down side, it only allows you to...
  6. bigdmakintrax

    What's the best Software program to get started with?

    GET LOGIC~~~~ if you don't have a good multitrack recorder....Get PROTOOLS LE NUFF Said
  7. bigdmakintrax

    how long do you normally spend on a track

    15 minutes -1hour , I crank out 20-30 completed beats a week on average a bad week I might finish 10 beats if i am in a loss for ideas and time...it all depends on how many samples and sounds I have at my disposal...plus I keep all of my dopest drum patterns and have them ready so all I have to...
  8. bigdmakintrax

    NO I.D. dropped science on us tonight

    I saw NO id at a conference about a year ago speaking on production and how he got started he is one chilled Dude man, and his production is on point.
  9. bigdmakintrax

    Has Anyone Noticed???

    Well I haven't Messed with acid since I had version 3.0.......I know that a lot of the output you get in acid when recording has to do with the properties of the input.....I believe that the channels will allow you to use EQ, and other FX......so the basic recording you have needs to have fx...
  10. bigdmakintrax

    I got a situation here (I need helpful advice urgently)

    If she has a "home studio" then would it be possible for her to invest in you? and your production skillz.....I would hit her with a bill and tally up the cost for the laptop or whudevva else will help me the producer do my job and since my "home setup isn't mobile at this time her only and...
  11. bigdmakintrax

    Yamaha RS700 vs Mpc's

    I owned the RS7000, for over a year, I bought that and the Motif at the same time a few months after yamaha dropped the pieces back when Mars Music was in Bizness....it is good for making beats....plus I even used the fx to master with....the only mPC I owned was the 2000, so I sequenced on...
  12. bigdmakintrax

    Producer/Rapper's question

    Yes it does give you an edge.....if you rap and are good at it<<<< a good MC has an ear for a good beat....they can even find beats that have enough of a rhythm to flow to...that sometimes a producer cannot.....I know some MC's that are good enuff to make their own beats and they sometimes do...
  13. bigdmakintrax

    we got it good???

    Most people usually read the content....there's not a lot of bullshidd in the posts....partly due to moderators but more so due to group thought and meaningful discussions discouraging bullshidd and someone instantly catching it from the members.....and most of the people in here for the most...
  14. bigdmakintrax

    Ten Tips for Nailing a Mix By Brian Knave (Electronic Musician, Jul 1, 2000)

    Excellent Article Wingz, i mean I have heard it broken down as far as the levels and ranges but this one gives you a clear direction to start getting mixes sounding professional.....
  15. bigdmakintrax

    well i made up my mind

    Man I mean that sounds like some good shidd now...but maybe it will do it for you but a lot of those skools are ripoffs, and there's not tons of work how they make it sound.....but most college majors are that way I guess but to me it could be money better spent....good luck
  16. bigdmakintrax

    Eq & mastering

    I have been experimenting with the eq's on snares and seeing how you can get that snappy snare and also the full snare thud....equ is tricky....I want to add to this question if I can, has anyone mastered the art of spatial/stereo panning in a mix?....you know a good mix were all of the...
  17. bigdmakintrax

    Can Some One Break Down The Benifit Of 12 Bit Samples

    Well I sold my SP1200 recently to another member here on illmuzik but b4 doing so I sampled all of my dopest, deepest sounds to use in my triton....and being that I have owned, the SP1200, SP12 and S950 for some years, and also religiously use soundForge and other software to change bit rates...
  18. bigdmakintrax

    I am back in the Hardware Game, Boys. Be Afraid. Be VERY Afraid.

    Naw I opted for the new triton extreme and took the fantom back because I am on high speed production now...after two weeks I still wasn't happy with were my beatmaking was going on the Fantom....basically on the triton extreme and classic motif after buying it I was crankin out beats quickly...
  19. bigdmakintrax

    How do I create new sounds with the Motif?

    Answer= change filters, shapes and envelopes you have to go into the actual waveform that the stock sound is made from and then change them and save them as user sounds.....the old school way of making ya own sounds...you can actually use the buttons that control realtime effects and envelopes...
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