Soft Synths / VST's

DjDelay

ILLIEN
ill o.g.
Which Soft Synths / VST's do you people use?

I've got a moogModular which is nice, and a load of demo's. But I'm a bit dissapointed that none that I've got give a real hard hitting sound like a triton or motif.

Is it worth investing in hardware, or should i not get caught up in thinking that "if I've got more equipment I'll be a better producer"!?

Should I just learn how to really tweak and use the synths I've got now? Is it easy to build up your own instruments from sampling records and other sources?
 

Architect

ILLIEN
ill o.g.
Battle Points: 3
Yeah that moog modular is nice though you should expand on what you can do with that, because it's very flexible and it sounds very good analogish for a software prog. Another soft syth by Arturia that I think is very good is the CS-80 a software emulation of the original world famous Yamaha CS-80 that costs like 4grand or something like that, man that thing rocks big time, check out the demo if your interested, I think you won't be dissapointed. Absynth 2 is good has some nice sounds I like it, Pro 53 another one by Native Instruments is nice too.

When using soft synths you have to realize that these are replicas, wannabees if you will of either original hardware synths or just a new creation, all of them haven't fully developed to the potential of their hardware equivalent, but If your creative enough you can still rock some hot shit with them. Some people are going to tell you that soft synths sound like crap or that they never will be as good as hardware, but I embrace the old and new styles of production so to me as a producer if it aint sounding as good or creative enough then it's not the software or hardwares fault it's me.

Just my two cents.
 

Formant024

Digital Smokerings
ill o.g.
Well, there vintage emulations such as the moog modular, oddity, the pro series, lounge lizard, B4 which can be usefull. The downside is only for those who know what the original sounds like and are looking for that exact sound, hence normaly they would buy the hardware real thing instead of the plug, this mostly goes for the older engineers, studio owners and musicians that choose for those instruments for the simple reason that they like it since it doesn't sound like the next instrument in the same catagorie. It's knowing make n model in order to decide which instrument you're going to spend money on or what instrument you as looking for in the first place. How to know make n model is to play them. Listening to vst's doesn't give me any impression of the original instrument and as far as new skool hybrid synths goes, I have yet to be impressed ( well, besides the granulair synthesis ) by a plug that made me drop aside my synths, seriously hell no. I think if you're going to do this right, you'll save up and buy that synth you like and the one that brings quality sound no matter what it costs. cuz that the tool you imagine making music with. Same reason musicians pay to play a memorymoog, a b4, a mellotron or a fender rhodes. One in good condition costs a lot of money, but it's his bread or his preference. My background in music has always been synths, ima real gearfreak with a preference for vintage cause it covers all the basics to 2day's electronic music technology. I didn't care for the music but for the tools, since with all these tools you can make all the music you want. There's more heads like me that are not specificly into hiphop and I find a lot of them being an engineer, know what I am talking about when discussing synth make n models and about what kind of sound I am looking for at that moment. Vst's can't give you that since mostly they sound flat to me, lacking a character, formants, the resemblence of the original and lacking the analogue depth a real thing can offer. The truth in this is that hardware vintage synths can not be emulated exactly since you can consider a true emulation as a formula of chaos theory, old stuff wasn't as pinpoint accurate hence them sounding so good. All the newskool synths etc are based upon all these old instruments ( like the nova, virus ) or on rompler technology, which is simply the best way to records an instrument and synthesize it in a hybrid solution, things like the triton, motif, fantom etc. etc.

The only disadvantage to the original instruments I meant here is that they're old, need special care n fixing/tuning which makes them relativly expensive. It's when you care enough to choose between quality appeal or settling for a " sound " you were looking for.

Free of charge
 

eka

Mad samplist productions
ill o.g.
I've got a lot of vsti's and most of them I got free from internet.
the only commercial vst I've got is the fm7 ( wich I love by the way)
I usually use them in combination with fx to make them hard hitting.
it works for me and yes, I'm just looking for a "sound"
I tend to use the vsti's like a sample.
 

mod1

ILLMUZIK Bell-Boy
ill o.g.
Battle Points: 5
absynth is a good vst.
 

eka

Mad samplist productions
ill o.g.
Originally posted by JPeg
yo eka u got any bass synths or shit l;ike absynth or trilogy or is it just freeware stuff?

I've got the absynth but I don't use it much.
I've got the ppg wave and ppd tritium wich are good for bass and the oberon-8 or ob-80 wich I use for basslines also.
 

RigorMortis

Army Of Darkness
ill o.g.
yeah close on having that absynth 2 damnit, but i aint givin up..
got that fm7 too recently but havent installed it yet, school and the mortuary are killing me...

for a review of absynth http://www.kvr-vst.com/get/107.html

http://www.kvr-vst.com is a nice site, in the upper right you can browse through effects links etc..

havent used the junglist for a while, maybe i'm gonna fuck with it again this weekend.

I was also lookin into the Vokator, anybody got some experience with that one?
http://www.kvr-vst.com/get/407.html
 

fastlance

ILLIEN
ill o.g.
Battle Points: 1
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