@ 7th: specialy for you
@ dream: i never knew line6 owned them hehe.
Other than that, i found that productions from the people i know really had the same distinct sound to them. Alike (i think) a lot of reason users, most of them didnt use anything else except the onboard soundcard or something high end. Of course its a matter of how you integrate reason in your setup (converters, outboard etc) as in that case you couldnt tell the difference in FL or Reason because you decide how it sounds eventually....but the filter's sounded really thin imo (eq and synth algorhytmn), never a controlled decadent mix. Perhaps that's from not using the rewire option or, again, just lack of knowledge on the engineering side but i bet a pro can get a decent sound out of it.
From the Reason productions we received in the studio i have to conclude that its always been a mess with most clients. Mostly we have to turn each track inside out removing all kinds of artifacts from them as all they used was reason and a poor selection of samples (hiss in each kick, snare, hat...come on...) and really bad eq'ing/compression. They had to bring in their cpu, open the projects, set everything back without compression and neutral eq to get it mixed properly, in other cases they just had to pay more because the mixing job took longer than necessary.
Btw, im not hating so lets not feed the troll, im really objective on writing this. I was also under the impression that there would also be Reason modules in Record (aside from the new rompler in there), but you got to have both instead. In that case Record would be the cheapest solution (aside from linux software or FL) if you're not working with a daw already.