Mic
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Fade
The Beat Strangler
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illest o.g.
sYgMa
Making head bangers!!!
ill o.g.
Battle Points: 26
I used a dynamic mic. YES, you can use it, but the level of quality of your takes will be the one of a dynamic mic...
now
I had 2 SM38, but I just got a brand new Condenser Mic... I can actually hear the difference, but I'm wondering... in laments terms, what is the difference between both.
I know that a dynamic mic is tougher and that it can accept loud noises better, and a condenser mix is more sensitive, but what are the difference a producer/MC should think about when switching from one to the other...
now
I had 2 SM38, but I just got a brand new Condenser Mic... I can actually hear the difference, but I'm wondering... in laments terms, what is the difference between both.
I know that a dynamic mic is tougher and that it can accept loud noises better, and a condenser mix is more sensitive, but what are the difference a producer/MC should think about when switching from one to the other...
i use a condenser mic... condenser is better for vocals because its a powered mic.... i have a dynamic but i dont use it ... the pattern is the right one to use.. they have condensers for about a hun now... some things you shouldnt be cheap on is MIC, HEADPHONES & SOUNDCARD
FistFulloDollaz
ILLIEN
ill o.g.
Battle Points: 1
you need a condenser mic to track vocals, the sound quality is much better for recording, all you need is a pop filter and ur good to go
dynamic mics are used more in live performances
dynamic mics are used more in live performances
sYgMa
Making head bangers!!!
ill o.g.
Battle Points: 26
^^^^I gotta disagree with you guys. If you got a singer (that sings, not rap) or something, then YES, you NEED a condenser mic. BUt with a dynamic mic and good mixing technics, you shouldn't have any problems... simple as that.
Since I didn't have an answer to my question, I checked myself, and the difference between both is that, with a Dynamic mic, if you got a loud MC, since the mic is less sensitive, you'll have a better take than with a condenser mic... of course, there are technics that can be used by the MC, but all in all, I think it's easier to work with a Dynamic mic...
Since I didn't have an answer to my question, I checked myself, and the difference between both is that, with a Dynamic mic, if you got a loud MC, since the mic is less sensitive, you'll have a better take than with a condenser mic... of course, there are technics that can be used by the MC, but all in all, I think it's easier to work with a Dynamic mic...
Hypnotist
Ear Manipulator
ill o.g.
sYgMa said:
The thing is: With dynamic microphones, the diaphragm is more rugged and doesn't respond as well to softer sounds. Believe it or not, even a loud emcee needs to be picked up with a more sensitive mic. Usually there's a pad switch on condenser mics, that eliminates distortion that can happen at the microphone, before any signal gets anywhere else. Most good mics have a max range of 140-160 dB SPL. (That's 140dB of sound pressure level the microphone can withstand).
With most dynamic microphones, you can drop them on their heads and not worry about hurting them or catching a domestic violence case. The better dynamic microphones are more expensive than a basic, sensitive condensor microphone that will do the trick better. Some exceptions are the ElectroVoice RE20 (you'll see this everywhere from Howard Stern and other broadcasters, to vocal microphones, bass guitars, and kick drums) and the Shure SM58, which can be used on vocals (mostly live), and snare drums alongside the most popular SM57. Both these microphones are affordable, and they get the job done. But put them side by side with some cheap condenser mics (I've done it a hundred times, just for added texture to vocals) you'll definitely see a difference.
Anyway... with a uni-directional microphone, this includes these polar patterns: Cardioid, SuperCardioid, and HyperCardioid. These are good because they have a polar-pickup pattern that is directly in front of the microphone, and they cancel out most unwanted sounds that linger around the room you record in. This is important for getting dry vocals, besides being in a dead room.
If you want to just mess around and practice recording vocals, but you're not too worried about the end quality, (It will still sound fine by basic standards) then just grab a Shure SM57 or 58. It's definitely 70-100 bux well spent, depending on where you find one. If you want to get a clearer recording though, then save up a little more and get a condenser microphone. Make sure you have a preamp that can supply phantom power (48v power for all condenser mics) or make sure your sound card has an XLR input with phantom power.
Hope this helped,
Hypno