Hearing your recording room..

Shonsteez

Gurpologist
ill o.g.
Battle Points: 33
Chris has some good advice though Relic. Ive read a lot of positive reviews on that ARC system and its supposed to really help make a difference so you can fine tune your monitoring environment. Its a chunk of change no doubt, but Id def cop one if I had the dough.
 

UNORTHODOX

Father Timeless
ill o.g.
Battle Points: 44
If your room is that noticable I'd get ARC. def heard nothing but good things
 

Relic

Voice of Illmuzik Radio
ill o.g.
Battle Points: 83
Okay ... I figured this ,,,, but you know , its like having to buy a car by the time you are done with all this lol..

I have found that once you think you "got it" in your untreated room, burn a cd then run around with it and see how it sounds and soon I get a good neutral feel..

Or thought I had before.
 

dacalion

Hands Of FIRE!
ill o.g.
Battle Points: 259


This is what I use...the SONY RD-1800ex, basically it reproduces any sound with its own negative wave and simultaneously cancels the original noise. Its dope, a friend of mine broke a glass right in front of me and I didnt even hear it! This puppy only cost $149.98 plus S&H. I'm the only dealer in the states so send me your money ASAP!

One man's noise is another man's music, but no matter what your taste, ambient noise is the enemy. Luckily, there's a piece of audio equipment designed especially to maximize your listening and recording experience, keeping ambient noise out without sacrificing your music's sound quality. That piece of equipment is the SONY Room Denoiser-1800ex.
 

wrightboy

Formally Finnigan
ill o.g.
Battle Points: 7
Problem is most people don't actually know how that CD is supposed to sound.

but you do know if it sounds good to you or not. personally, i just mimic what sounds good to me. short of me being in a space specifically built for mixing from the ground up, that's really all i can do. and you can get pretty good results working that way, IMO. but that's just my .02
 

thedreampolice

A backwards poet writes inverse.
ill o.g.
Battle Points: 21
For sure, its better than nothing. But when you can't hear 40hz (for example) because your room is messed up you can cause all kinds of trouble and the mastering engineer will call you a smacktard.

smacktard.jpg
 

Relic

Voice of Illmuzik Radio
ill o.g.
Battle Points: 83
Hes right though, I have to get anal with this sound environment..

I think though that prolly Dac doesnt have his room treated and he just won the thing. I agree with treatment , but I mean cats on here that are bangin in the mix and sound dept , prolly dont have their shit all pro treated.
pipe up if you do , but it may be getting used to the new sound in the meantime.
 

Shonsteez

Gurpologist
ill o.g.
Battle Points: 33
For sure, its better than nothing. But when you can't hear 40hz (for example) because your room is messed up you can cause all kinds of trouble and the mastering engineer will call you a smacktard.

smacktard.jpg

Its true man, I love my little KRKs but they really dont represent the lower freq spectrum correctly enough + combine that with a bedroom turned into a studio and you get acoustic issues as well that def make monitoring your mix more difficult, so I ended up doing exactly what Finnigan mentioned, which is essentially making the best of what you got and comparing to your favorite commercial releases.....

My rooms far from professionally treated, but I can tell you this - after I copped some foam off ebay to furnish the whole room, i def knocked out some standing waves and pinging, as well as some bass energy that was building up in the corners....so there are some minor things that you can def do to help at least slightly improve your listening environment.

I gather if I had the luxury of using the ARC system, isone pro, or redline monitor before I placed my foam I could have prob made some even better acoustic decisions but just using my ears got me far enough to at least make some improvements. Point is, theres always room for better though.
 
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