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Griffin Avid
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Who do you Produce for- as an overall goal?
Who do you Produce for?
I always find this to be a pretty good question as I've seen some interesting answers and differing point of views. Producing for yourself seems to be suggesting only your opinion counts when it comes to your own music.
Producing for others is a bit vague. I've seen producers think about what other producers think and worry about feedback- beyond the early point of trying to iron out technical issues.
Producing for others as in clients: whatever the project/emcee requires.
Producing for others like a crowd/judges in beat battles or contests.
I remember thinking only about the emcees I produced for and scratching so many tracks that didn't fit their specific mold. Early on I mostly got feedback from my crew and other similar producers. There was an unsaid competition of who could be more creative or different and there was almost a sense of pride in using a very complex technique or chains of techniques to make a track... like it was showing a higher dedication.
I noticed most emcees preferred the simpler tracks and even liked some of the stuff I considered unfinished. It could have been I was trying too hard or was too focused on being impressive. The tracks I tended to pick for myself had character, not always generally considered 'my best' tracks, but I would hear a direction when I listened; like the track had personality. Those are the kind of tracks that you have to write to and just can't fit any ole verse over it.
Who do you Produce for?
I always find this to be a pretty good question as I've seen some interesting answers and differing point of views. Producing for yourself seems to be suggesting only your opinion counts when it comes to your own music.
Producing for others is a bit vague. I've seen producers think about what other producers think and worry about feedback- beyond the early point of trying to iron out technical issues.
Producing for others as in clients: whatever the project/emcee requires.
Producing for others like a crowd/judges in beat battles or contests.
I remember thinking only about the emcees I produced for and scratching so many tracks that didn't fit their specific mold. Early on I mostly got feedback from my crew and other similar producers. There was an unsaid competition of who could be more creative or different and there was almost a sense of pride in using a very complex technique or chains of techniques to make a track... like it was showing a higher dedication.
I noticed most emcees preferred the simpler tracks and even liked some of the stuff I considered unfinished. It could have been I was trying too hard or was too focused on being impressive. The tracks I tended to pick for myself had character, not always generally considered 'my best' tracks, but I would hear a direction when I listened; like the track had personality. Those are the kind of tracks that you have to write to and just can't fit any ole verse over it.